QUINO CLOUDAPP NET SERIES
QUINO CLOUDAPP NET TV

QUINO CLOUDAPP NET TV

Argentine producer Daniel Mallo converted 260 Mafalda strips into a TV show in 1965. Although he never returned to Mafalda and her friends in a comic strip format, he did use the character at certain specific moments: to explain the Organic Law on the Right to Education (LODE) on a commission from the Spanish government in 1986, for a COVID-19 awareness campaign in 2020, and, in 1977, to illustrate the Declaration of the Rights of the Child for UNICEF.

Quino abandoned the story of Mafalda on 25 June 1973, claiming that he wanted to avoid repeating himself in later years, however, he said that the changing political landscape in Latin America had also influenced his decision: 'If I had continued drawing her, they would have shot me.' Following the 1976 coup d'état in Argentina, he moved to Milan, Italy, where he continued to create humor pages.

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The character and the series has been compared to Charles M. Her friends reflected different personalities like the insecure but studious Felipe, the gossip-girl Susanita, the sturdy but dim-witted Manolito, the naive Miguelito, the rebel and witty Libertad and Mafalda's baby brother Guille. The character attempted to reflect the world of adults as seen through the eyes of a smart child. Mafalda was created as an irreverent and non-conformist six-year-old who hated fascism, militarism and soup, and loved the Beatles. Between 19 it was published in the newspaper El Mundo soon after the first compilation book was released, it began to be published in Italy, Spain (where, on account of Franco-era censorship, it was tagged as “for adults only”), Portugal, and many other countries. Subsequently, it appeared regularly in the weekly magazine Primera Plana, since the director of the magazine was a friend of Quino. The advertising campaign never was executed, which led to the publication of Mafalda's first story in Leoplán. At the same time he was developing pages for an advertising campaign for Mansfield, an electrical household appliance company, for which he created the character of Mafalda, basing her name on the same sounds as in the Mansfield brand name. His first compilation book, Mundo Quino, was published in 1963. Statue of Mafalda in the 'Paseo de la Historieta', Buenos Aires In 1954, his cartoons became regulars in Rico Tipo, Tía Vicenta, and Dr. His first humor page was published in the weekly magazine, Esto Es, which led to the publication of other works in many other magazines: Leoplán, TV Guía, Vea y Lea, Damas y Damitas, Usted, Panorama, Adán, Atlántida, Che, the daily Democracia, etc. Soon he would sell his first illustration, an advertisement for a fabric store. A year later he abandoned his studies, with the intent to become a cartoonist. Shortly after, his father died in 1948 when Quino was 16 years old. In 1945, after the death of his mother, he enrolled and started his studies at Escuela de Bellas Artes de Mendoza. He was called 'Quino' from his childhood on, to distinguish him from his uncle, the illustrator Joaquín, who helped to awaken his vocation of cartooning at an early age. He obtained Spanish citizenship in 1990 and remained a dual citizen of Spain and Argentina. He retained an affection for his parents' Spanish culture and flamenco into his later years. Because of his parents' limited social circle, he spoke with an Andalusian accent until the age of six. Following Spanish name tradition, 'Lavado' is his first or paternal surname, and 'Tejón' his maternal one. Joaquín Salvador Lavado Tejón was born in Mendoza, Argentina, on 17 July 1932 to emigrant Andalusian parents from Fuengirola, Málaga.

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